It is a small exhibition, 16 portraits in all.
But what portraits! Frank Packer’s portrait I liked as a reproduction, in
reality is splendid, bigger than I had expected not only in size but in colours
and boldness of lines. It had a WOW effect on me.
Still applies? |
Another favourite was the portrait of George
Molnar – a cartoonist whose work featured in Sydney Moring Herald and Daily
Telegraph for many years. Soon after his arrival to Sydney in 1939 be worked as
a government architect in Canberra and later lectured architecture at the
University of Sydney.
There is no portrait, at the exhibition, of
Desiderius Orban another Hungarian painter whose contribution to Australian
culture was significant. I would have loved to see his portrait there. There are two, I know of and this one is from 1985, of course by Judy Cassab.
And this is one of Orbans landscapes from 1952. I love it! |
He, Judy
Cassab and George Molnar were friends. Judy Cassab writes in her diaries about
the three Hungarians being filmed in 1980 at Cosmopolitan, a coffee place which
still is an institution in Sydney’s Double Bay with customers mainly of
Hungarian and Polish origin. As a Polish saying goes – Pole and Hungarian are
like cousins. Maybe this is the reason
for my special interest in Judy Cassab?
Okay, I have now read the sequel but am unable to add any intelligent comment as the subject matter is way beyond my understanding. I always maintained that I married the artist not the art, when people would comment about art in the presence of my late wife who was a fairly well known painter of her time.
ReplyDeleteLooks to me you were lucky in more ways than one. Many years of marriage to a person who you write so warmly about and who was an known painter. I would very much like to see a picture of the artist you were married to.
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