Friday 25 July 2014

Three friends - three crucifixions

I am still on the subject of Florence. Now I got to the art part of my visit there. I am reading and discovering things I only glimpsed when in Florence.  Having time to reflect on my new interest I started to really appreciate what I have seen and what I still must see. As it is with the art in Florence, there is no escape from religious subjects. Actually I do not want to escape it but my motivation is not of religious nature even if I write about crosses or Madonnas. Come to think about it may have been rarely motivation for the artists of the times.

There is a lovely story about two friends Brunelleschi and Donatello. I believe that originally the story comes from Vasari’s Lives of the Artists. I got it second hand though, so I am not sure. I am sure though that the three artists (Brunelleschi, Donatello and Masaccio) were friends. There is enough evidence of that. 

Here goes the story about Donatello Brunelleschi rivalry.

Donatello was the first one to sculpture Crucifixion and he showed the sculpture to his friend Brunelleschi. The feedback was perhaps friendly and meant to be constructive but is was scathing. Brunelleschi obviously had different idea of aesthetics and the way the Christ should look like.   In his opinion Donatello sculptured an uncouth fellow, somebody like a simple peasant with tragic hair cut. Brunelleschi was disgusted.

            

Donatello was not fazed by the criticism. In his opinion there was a place for ugliness in art. He said – Why don’t you sculpture your own version then!
When I look at the Donatello's Christ from Santa Croce, I see a beautiful suffering face. Taste must have changed through centuries.

Brunelleschi thought that he will show his younger friend how it should be done and got to work on his own cross, the one in Santa Maria Novella. It is also extremely beautiful work. The artist, pleased with the result, wanted to boast a bit. He arranged to have lunch together with Donatello at his place and two friends after getting their food shopping were walking to Brunelleschi’s place. The host wanted his friend to have time to appreciate his achievement in private and said – I’ll get us some wine and you go ahead. When Donatello entered the place and looked up at the wall where the cross was hung, he dropped the shopping, eggs splashed on the floor and all lunch ingredients scrambled. He stood in front of the Christ in total admiration, muttering something like “Bloody hell, this is great!” Brunelleschi seeing the mess cried out – What have you done with our lunch! Donatello answered – Never mind the lunch, this is heavenly!

               

He obviously was not envious and was able to appreciate art without any prejudices. I wish I could be that magnanimous.

There is a third friend, Masaccio, and a third crucifixion, also in basilica Santa Maria Novella. When I saw it I was spellbound. Thankfully I was not carrying any lunch, I could drop. It was supposed to be a fresco for grave of married couple – Lenzi, the couple pictured at the bottom. And it is a fresco but with a difference. Masaccio using perspective masterfully created something which looks like a chapel not only a two dimensional fresco. It took him only 30 days to paint something that great and innovative, wow!  

                                            


Would you be able to pick up your favourite crucifixion? I cannot. Love them all.

2 comments:

  1. I somehow find Brunelleschi the most attractive! But the story about the total lack of envy is fascinating as it is rare among artists.

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  2. I like writing my posts but your comments are my motivation to continue writing. You are very kind to the budding blogger.Thank you

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