I am still on the subject of
Florence. Now I got to the art part of my visit there. I am reading and discovering things I only glimpsed when in Florence. Having time to reflect on my new interest I started to really appreciate what I have seen and what I still must see. As it is with the art in Florence, there is no escape from
religious subjects. Actually I do not want to escape it but my motivation is
not of religious nature even if I write about crosses or Madonnas. Come to think about it may have been rarely motivation for the artists of the times.
There is a lovely story about two
friends Brunelleschi and Donatello. I believe that originally the story comes
from Vasari’s Lives of the Artists. I got it second hand though, so I am not
sure. I am sure though that the three artists (Brunelleschi, Donatello and Masaccio) were friends. There is enough
evidence of that.
Here goes the story about Donatello Brunelleschi rivalry.
Donatello was the first one to sculpture Crucifixion and he showed the sculpture to his friend Brunelleschi. The feedback was perhaps friendly and meant to be constructive but is was scathing. Brunelleschi obviously had different idea of aesthetics and the way the Christ should look like. In his opinion Donatello sculptured an uncouth fellow, somebody like a simple peasant with tragic hair cut. Brunelleschi was disgusted.
Here goes the story about Donatello Brunelleschi rivalry.
Donatello was the first one to sculpture Crucifixion and he showed the sculpture to his friend Brunelleschi. The feedback was perhaps friendly and meant to be constructive but is was scathing. Brunelleschi obviously had different idea of aesthetics and the way the Christ should look like. In his opinion Donatello sculptured an uncouth fellow, somebody like a simple peasant with tragic hair cut. Brunelleschi was disgusted.
Donatello was not fazed by the
criticism. In his opinion there was a place for ugliness in art. He said – Why don’t
you sculpture your own version then!
When I look at the Donatello's Christ
from Santa Croce, I see a beautiful suffering face. Taste must have changed
through centuries.
Brunelleschi thought that he will
show his younger friend how it should be done and got to work on
his own cross, the one in Santa Maria Novella. It is also extremely beautiful
work. The artist, pleased with the result, wanted to boast a bit. He arranged
to have lunch together with Donatello at his place and two friends after getting their food shopping were walking to Brunelleschi’s place. The host wanted his friend to have
time to appreciate his achievement in private and said – I’ll get us some wine and you go ahead.
When Donatello entered the place and looked up at the wall where the cross was
hung, he dropped the shopping, eggs splashed on the floor and all lunch
ingredients scrambled. He stood in front of the Christ in total admiration,
muttering something like “Bloody hell, this is great!” Brunelleschi seeing the
mess cried out – What have you done with our lunch! Donatello answered –
Never mind the lunch, this is heavenly!
He obviously was not envious and was
able to appreciate art without any prejudices. I wish I could be that magnanimous.
There is a third friend, Masaccio,
and a third crucifixion, also in basilica Santa Maria Novella. When I saw it I
was spellbound. Thankfully I was not carrying any lunch, I could drop. It was
supposed to be a fresco for grave of married couple – Lenzi, the couple pictured at the bottom. And it is a fresco
but with a difference. Masaccio using perspective masterfully created something
which looks like a chapel not only a two dimensional fresco. It took him only 30
days to paint something that great and innovative, wow!
Would you be able to pick up your
favourite crucifixion? I cannot. Love them all.
